MOSCOW (not pronounced Moscao, Toby of Balitmore)

Traffic Jam: Gold and Black Leopard Print Range Rover Vogue behind, Toyota Pickup truck with one back wheel missing in front.

Played 16 Tons Club in central Moscow using an Akai DPS 24. It worked. loads of control... stems of my tunes longed out and smashed to bits. Playing my tunes from vinyl or cd can fuck right off... altho the logistics of it all was a nightmare: truly obscene excess baggage fee (thanks Dimitri). But Russia was definitely the place to do a screaming Mistabishi set on a 45kg 30x30 inch piece of obsolete 90's hardware.

oh yeh.. get to know CHEBURASHKA

Submitted by al leno on Wed, 09/16/2009 - 11:25.

i was out there for the whole set, jumping and loving it. also managed to get subwave's email to send him some demos. so hell yes, it was a great night.
the only thing that turned my spirits down was seeing you all covered with people in the bar downstairs, and deciding against trying to push my way through to you and putting my English skills to some use...okay, you're lucky, coz that way you avoided discussing the credit crunch with another producer/finance expert guy..hahaha....
stick to the frequency, James, come again in january.

Mistabishi.co.uk

According to the swingometer, Mistabishi is Missing at the moment as it has been 7 days or more since his last post. Mistabishi is at large. Fearing the worst, public safety is paramount. Security services have been informed to shoot on sight.

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Blasting onto the D+B scene after being personally responsible for starting the credit crunch, Mistabishi's share price has more than tripled in the last 12months...

In late 2007 Mistabishi debuted on Hospital with the absolutely huge No Matter What, this rave piano led, modern jungle anthem quickly grabbed daytime radio one support from Jo Whiley, Annie Mac & Zane Lowe. Switching from the City to the studio, James Pullen has never looked back.

Just over a year later, with the financial world in meltdown, the Mistabishi D+B machine is anything but, as he unleashes his debut album Drop. Brave, inventive and arguably the most challenging long player ever on Hospital Records, if Tyler Durden made D+B this would be it!

Tracks such as Printer Jam, Damage, Greed and the dubstep flavoured White Collar Grime are early examples of recession induced creativity as the Mistabishi sound goes from melancholy to menacing within the blink of an eye.

Unique, paranoid, genius and deadly, spend some time with Mistabishi, you can trust him, can't you!?